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Happy Birthday, Uncle John...


And on a lighter note...

John Alan Lasseter was born on this date in 1957. If you don't know who he is... you... really... are... on... the... wrong... blog. Really.

Lasseter, head of Walt Disney Animation Studios, Pixar Animation Studios, Principal Creative Advisor for Walt Disney Imagineering, Head of development for Toon Disney Studios, advisor to Disney Consumer Products and wine maker, wasn't in town today. Believe it, or not. Can you imagine how busy this guy is with all these titles? It's a wonder he has time to tie his shoes. Well, let me just say, from everyone here at Blue Sky Disney, happy birthday Uncle John. Or Mr. Lasseter, which ever you want your highness. Hehe. Yes, say it if you want. I'm a lemming. But if you do, you'll realize that you don't have a sense of humor and you need one.

One of the great things about Lasseter is his passion and belief in a project. He also has the ability to inspire those around him to do better than what they expected or even believed they could do. And another sign of his authenticity came at the D23 Expo. When everyone came out, from Iger, Rasulo and even Cook, there was a giant teleprompter set up that had their exact script. All of their words were just calculated and prepared beforehand. Not John. If you would have looked at the monitor during his keynote you would have seen this:


Talk about Tinkerbell film.

Talk about new Winnie the Pooh film.

Talk about Princess and the Frog.

ect.


See? He just put bullet points up to remind him about stuff so that he wouldn't forget anything. His entire speech was ad-libbed and from his heart. What he said, he believed. That is something that is very hard to come by in life, and even harder in Hollywood. That's something of true value there folks.

Have fun blowing out those candles, sir...

Mouse House Shuffle/Tussle...


And so the deck of cards changes even more...

Truthfully, I was surprised when he wasn't let go when Dick Cook was fired. If you haven't heard the news, Oren Aviv, the President of Walt Disney Studios Motion Picture Production has been fired. Or resigned if you believe that Dick Cook did the same.

Much of the slate for this anointed marketing wundkind hasn't exactly panned out. He was one of Dick Cook's chief suits and was believed to be the one to succeed him should he step down. Aviv was the one primarily responsible for "National Treasure" and had guided much of the production as well as development over the past two years. Many of the projects he approved were disappointing in their box office returns, others like the "Jungle Cruise" adaption have failed to materialize. Here is his announcement:

Today, Oren Aviv announced that he is resigning his post of president, Walt Disney Studios Motion Picture Production.

Avis said, “As of today, I'm stepping down from my position as president of Production, Walt Disney Studios. I have loved every day that I have been at the studio and feel incredibly privileged to have been part of a team that enriched my life for 20 years.

I will miss all the amazing filmmakers, the many talented actors and most importantly the lifelong friends I've been so lucky to work with throughout my Disney career.

I'm proud of the hundreds of movies I've helped to make and market, especially the studio's upcoming films, from Alice in Wonderland and Prince of Persia to The Sorcerer's Apprentice and Tron. All have been extremely rewarding creative and personal endeavors for me, and have allowed me to work with the best group of executives and staff in the business.

I wish Disney, Bob Iger, Rich Ross and their new teams great success for many years to come.“

Rich Ross, chairman, The Walt Disney Studios stated, “Oren’s significant contributions to The Walt Disney Studios are well-documented and countless movie-goers have been entertained by his diverse portfolio of films,” said The Walt Disney Studios Chairman, Rich Ross. “We appreciate his work and wish him all the best in his future endeavors.”

A successor will be named at an appropriate time.


Expect more fallout as the Studio shakes off the last remnants of the Cook regime and moves forward with Ross' vision. As the NY Times artile mentions; expect a shake up in the home entertainment division soon, as well. And then there are "other" evolving situations.

Developing much more than you would know...

Thy Story Begins Lensing Today...


I forgot about this...

Today, principal photography began on Marvel Studios film adaptation of the comic character "Thor." Kenneth Branagh enters the world of geekdom today and will hopefully be worshipped alongside such heroes as Bryan Singer and Jon Favreau after we watch it on the silver screen. I'm rooting for him. I know it's not the script I read, but I'm trusting that Marvel knows how to treat their characters far better than the studio suits of the past. Particularly the ones in charge of Thor's last incarnation alongside the Incredible Hulk back in the 80's. Truly horrible, but not as bad as the Captain America of the 70's. Amazing how far comics have come over the past couple of decades, isn't it?

By the beard of Odin this sounds exciting...

Webslinger Reboots...


Well, we won't be seeing Sam Raimi directing "Spider-Man 4" and we won't be watching Tobey Maguire swinging from building to building either...

Sony put out a press release today:

Culver City, CA (January 11, 2010) -- Peter Parker is going back to high school when the next Spider-Man hits theaters in the summer of 2012.

Columbia Pictures and Marvel Studios announced today they are moving forward with a film based on a script by James Vanderbilt that focuses on a teenager grappling with both contemporary human problems and amazing super-human crises.

The new chapter in the Spider-Man franchise produced by Columbia, Marvel Studios and Avi Arad and Laura Ziskin, will have a new cast and filmmaking team. Spider-Man 4 was to have been released in 2011, but had not yet gone into production.

“A decade ago we set out on this journey with Sam Raimi and Tobey Maguire and together we made three Spider-Man films that set a new bar for the genre. When we began, no one ever imagined that we would make history at the box-office and now we have a rare opportunity to make history once again with this franchise. Peter Parker as an ordinary young adult grappling with extraordinary powers has always been the foundation that has made this character so timeless and compelling for generations of fans. We’re very excited about the creative possibilities that come from returning to Peter's roots and we look forward to working once again with Marvel Studios, Avi Arad and Laura Ziskin on this new beginning,” said Amy Pascal, co-chairman of Sony Pictures Entertainment.

“Working on the Spider-Man movies was the experience of a lifetime for me. While we were looking forward to doing a fourth one together, the studio and Marvel have a unique opportunity to take the franchise in a new direction, and I know they will do a terrific job,” said Sam Raimi.

“We have had a once-in-a-lifetime collaboration and friendship with Sam and Tobey and they have given us their best for the better part of the last decade. This is a bittersweet moment for us because while it is hard to imagine Spider-Man in anyone else’s hands, I know that this was a day that was inevitable,” said Matt Tolmach, president of Columbia Pictures, who has served as the studio’s chief production executive since the beginning of the franchise. “Now everything begins anew, and that’s got us all tremendously excited about what comes next. Under the continuing supervision of Avi and Laura, we have a clear vision for the future of Spider-Man and can’t wait to share this exciting new direction with audiences in 2012.”

"Spider-Man will always be an important franchise for Sony Pictures and a fresh start like this is a responsibility that we all take very seriously," said Michael Lynton, Chairman and CEO of Sony Pictures. "We have always believed that story comes first and story guides the direction of these films and as we move onto the next chapter, we will stay true to that principle and will do so with the highest respect for the source material and the fans and moviegoers who deserve nothing but the best when it comes to bringing these stories and characters to life on the big screen."

I hope this doesn't mean the hole in Maguire's schedule will be filled playing Bilbo Baggins. He's a talented actor and I really liked his Peter Parker, but seeing him with hairy feet next Gandalf isn't something I look forward to. Raimi could move on to "World of Warcraft" which many thought was just a producing project for him. Now, the whole reboot comes into play with Spidey going back to high school and starting over. I don't mind that, but there is no need for an origin movie. We don't need to movie the story back to square one. It's been done and there is no need to show it to the two guys that don't know what happens when you get bit by a radioactive spider. Just start him off right after he's become the Webslinger and give him a new villain.

I wonder if the rush to get a film on to screen has anything to do with Marvel (read Disney's) ability to regain the character for filming by the Mouse? I don't know how long they have to make another sequel between films before the rights would expire/revert back to the comic book company/film studio/subsidiary of the Mouse. I hope that the next version is done with as much care as Raimi put into the first two and as little studio interference as the Suits put into the third one.

Developing...

Setting Sail, Officially...


Well, well, when it comes to release dates, Apple isn't the only one who has them...

Walt Disney Pictures has officially announced the release date of their next film about a certain captain. I don't know this for sure, but for such a firm statement about a delivery date, I'd think something would have had to be put in ink. Perhaps egos and trepidations have been put at ease? Perhaps. But remember this date:

May 20, 2011.

It's an awfully lot closer than it appears...

Hat Tip to Adam.

The Last Look Back...


Ok, I know everyone has their favorite films of 2009 and lots of websites/blogs put up their "Best Of" lists last week or so. I didn't want to get caught in all the clutter, so I waited till the first week of the new year. Those that were wondering what were my faves, runner ups and honorable mentions? Here you have it...

Honor's Top Ten Films of 2009:




Number 10 - Sherlock Holmes

Surprised? Not near as much as I was. I had zero interest in seeing this film. Absolutely none. The trailer looked like such a desecration of Arthur Conan Doyle's classic character. But the reviews kept coming up glowing. My friend that saw the film and felt protective about these historic characters of literature flipped for it, so I gave it a chance and went and seen it. And I loved it. It's an entirely different take, but it does feel the spirit and essence of Holme lies there. The casting of Downey Jr. and Law is brilliant and inspired. I had two problems with the story/script as the film was going along and by the end the major one was absolved and the minor point I had was abated. I can't wait for the sequel, but please don't let Brad Pitt turn out to be Moriarty... that would be a crime. One Sherlock Holmes couldn't solve.



Number 9 - Harry Potter and the Half-Blood Prince

I've loved the Harry Potter franchise since the Willie Wonka type fun of the original all the way through the darkening turns of poor Harry's life. I've gotten older and watched these three young actors grow up with their roles. With each film delving deeper into the dark secrets of Voldermort and his link to Harry. It's truly been a grand adventure and this film leading into the final book was a wonderful exploration of the pain of growing up; with or without a wand. Looking forward to the final battle.



Number 8 - Star Trek

I've never been a Trekkie or Trekker or whatever the latest interation is. I grew up a child of Star Wars, raised by George Lucas before he betrayed me, before he went to the Dark Side. That's why when I saw this film I was amazed at how fun it was... how much more like Star Wars than Trek it was. I know that'll offend some diehard fans, but it's how it felt and it a good way. The story of how Kirk and Spock met was a grand adventure and a great way to reboot a franchise. Now, if Disney or someone can pry the work of the Skywalkers away from Lucas, I'd suggest doing the same. But clearly, this is a new series of Star Trek films that will live long and prosper.



Number 7 - Avatar

The story of this film has been done a dozen times before. You're not going to see a revolutionary story with "Avatar," but you are going to see it told revolutionary. Not that the story isn't good, it is. But the way Cameron shows it has to be seen. It's essentially a Western told from the point of view of the Indians, set in space. Only in this case, the fantasy of a primitive civilization winning happens. It's a grand adventure and one I highly recommend you going on. Those that were expecting Jim to drop the ball will have to keep waiting.



Number 6 - The Hangover

I laughed, I cried. I laughed while crying. Without a doubt, the funniest thing I saw all year. My friends and I were just rolling in our seats watching this bachelor party gone awry turn into such an engrossing comedy. This film was so good that the studio asked for a sequel before the first one was out. And if you have seen it and left when the credits started; shame on you. Sit through them and watch the night before unfold for you. A great comedy, a great film.




Number 5 - The Hurt Locker

A gripping thriller/drama that has you from the get go. Kathyrn Bigelow, long known as someone that can hang with the boys, pulls out her best film. Ever. The story of a bomb disposal unit in Iraq from the viewpoint of their new, brash and risky new member is a fresh wonderful take on war films. Unlike recent films, it doesn't try to demean the military or preach politics. The film is decidedly apolitical and focuses on the human cost of war. To you and all those around you. And if you're a casting agent for the adaption of "Unchated" then take a good look at Jeremy Renner for the part of Nathan Drake. He's spot on and so is this movie.


Number 4 - District 9

The second biggest surprise I had at a screening this year. Neill Blomkamp's fictional sci-fi documentary is a riveting portrayal of life after dying aliens make contact with humanity. Filmed for a tenth of what "Avatar" cost, this story displays a heart that most big budget features forget to include or simply leave behind. Sharlto Copley Sharlto Copley delivers a vulnerable portrait of a flawed man who is stripped quite literally of his humanity after becoming contaminated by a foreign substance. This is intelligent geekiness at its best.




Number 3 - 500 Days of Summer

A bittersweet, urban fairytale about love and loss. Joseph Gordon-Levitt plays a hopeless romantic that finds himself going back into his life trying to figure out why his girlfriend dumped him. This little fable is a great way to reacquaint yourself with why you fall in love and what happens when it all falls apart. I felt all bubbly after the credits started to roll on this little film. If you're a fan of the romantic comedy, this ain't it. If you're a fan of love and falling in it then put it in and push play. A fine, enchanting greeting card to your heart.




Number 2 - Up in the Air

Jason Reitman has a knack for the type of source material that I love. George Clooney hasn't been this fun to watch since "Out of Sight." I had a hard time putting this at number two on the list. It could have easily been number one. Both my top choices could have switched places at a moments whim. I love them both, but the only similarity they have is their title and being great films. Clooney plays a man who has lived his life on the road. He comes to a point where he has to confront if what he's been/done is really a life at all. It's the most unconventional of road films. He takes pause on his life and what it's all about when his livelihood is threatened by a young, corporate upstart. His life as well as hers evolves in ways unexpected that never go unchallenged. An intelligent, introspective look into ones life from the outside and inside. I loved it and it loved me back.



Number 1 - Up

Yes, Carl and his crew are my favorite film of the year. Believe it or not; for a person that runs a Disney blog, a Disney film (Pixar or not) rarely winds up being my favorite film of the year. That first four minute or so montage just hooks you in and makes you love this old Curmudgeon. Russell and Dug take you on a wonderful, quirky adventure that treats you to another Pixar masterpiece. I love this film far more than Pete Docter's first effort "Monsters Inc." and it's clear that Docter has grown tremendously as a director. I saw this film three times before I moved on to other films and the memory of it still left a deep impression. If you haven't seen it in theaters, then you need to go out and have a Blockbuster night. It'll make you believe a house can fly. Really.


Almost Made It:



Princess and the Frog

Yes, I can already hear some of you screaming. Sorry, it didn't make the top ten, but it got close. It could qualify as number eleven. It almost made it as number ten, but near the end of the year I saw "Sherlock Holmes" and 221B Baker Street's most famous resident beat out the Frog Princess. But make no mistake about my love for this film. It's a lovely, warm and wet kiss to hand-drawn animation. A very good story with amazingly beautiful 2D animation. And not the last one made with pencils as some of you have been worrying about. Go see it if you haven't yet. If you have seen it, go again. It won't disappoint you.



Where the Wild Things Are

Spike Jonze' take on the classic children's book is a dark, visually haunting stir of imagery and emerging adolescence. Many people were unhappy with the unresolved ending, but that's life and that's childhood. It doesn't end at a clear point just like this film.




Runner Ups:

The Lovely Bones

Peter Jackson's lovely adaption of the best selling novel about a girl's murder told from her viewpoint in heaven. Beautiful and hard to watch all at once.

Public Enemies

Johnny Depp was great as John Dillinger and Michael Mann had a great script. Now if he would have made it in film or at least something that looked like film. His HD is too unforgiving.

Bronson

A young man robs a post office and gets sentenced to seven year in jail only to spend thirty-four years in prison, thirty of it in solitary confinement. A brutal look at what keeps a man sane or insane, depending on your perspective. A crushing observation of the cult of celebrity culture.

Black Dynamite

I love old, classic Blaxploitation like "Coffey," "Black Caesar" and "Super Fly." I happen to also be a big fan the "Austin Powers" films. And where "Undercover Brother" fails, this film soars at. It's a great film to watch and enjoy, even if you've never seen "Shaft." Shut yer mouth.

And so Blue Sky Disney say goodbye to 2009 and look forward to the new year, the coming movies and all the other surprises that await...

Raiponce, Raiponce, Veuillez Taisser Tomber Vos Cheveux ...

Raiponce, Raiponce,


Purty...

The folks over at DisneyPixar.fr put up a new photo from Studio Cinelive that shows the beauty of the CG technique that Glen Keane developed for the look of "Rapunzel." Althought he's no longer directing the picture, his influence remains in this image.

Looking forward to hearing more and more about this...

The Next Ron & John...


Now that Walt Disney Animation Studios seems to be on the right track again, one has to wonder who will be the storytellers of the future...

Who will be the next Ron Clements and John Musker, Disney's Brad Bird or Pete Docter (a future post). And make no mistake about it; WDAS has its own share of talented animators and directors. Pixar is not the only place that has great directors and craftsmen. Many were never given the opportunity to shine under previous regimes but are now having whole new worlds opened to them.

Now that Lasseter has a few years under his belt we can slowly begin to get an idea as to where the Mouse is headed. Of all the pieces that are out there I have a personal favorite.

Prep & Landing.

It's the best thing that they've done since the new openness that John and Ed started when coming over to Burbank. My second favorite thing they've done is the Goofy short; "How To Hook Up Your Home Theater." Ironic that it was done by the same team responsible for Prep & Landing. While I think "Bolt" is a missed gem that didn't get as much attention as it should have, and "The Princess and the Frog" marks a return to the beauty of hand-drawn animation, they aren't my favorite parts of the puzzle that is the new Disney.

And of all the new projects in the works, guess which one I'm looking forward to the most? Rapunzel? Winnie the Pooh? Snow Queen? No, none of these. I'm excited to see the new short that they're making called "The Balled of Nessie." And it's again by the same duo responsible for the other two projects I really like. It's also hand-drawn and in a style remarkably like those 50's styled animation shorts done by Disney. So as soon as this short is done, I'm hoping that the duo responsible for it get the greetlight to move from directing shorts to directing an animated feature. Incidentally, the reason we haven't heard much about the short lately is because of it being hand-drawn, the majority of the artists who were working on it happened to have been busy with TPATF. Such is the case with so few 2D animators in Burbank right now. That'll change with the two hand-drawn features lined up over the next few years needing talented artist.

Kevin Deters and Stevie Wermers-Skelton are the directing duo behind those projects and they're who I think are the new, bright stars of WDAS. These two have created the most clever and compelling of all the new animation that has come out of the Hat Building and I look forward to whatever they come up with for a feature. And if I can see this, you know that Lasseter can see it. Not that I've heard anything yet, but you can see where a trail is going if you follow the path. These two are clearly on the path to a very promising future.

And I believe as soon as Nessie gets done they're next project will be something that I can't wait to see...

No Loss In Translation...

Don't matter what you look like, don't matter what you wear...


I love movie posters as most who come here know...


Disney's "The Princess and the Frog" has to be sold in international markets as well as America so they've created several different posters for different markets. I thought you'd enjoy seeing some of them.


Kissing would be nice, yes?
Dig a little deeper...












Hat Tip to IMP Awards.

Dick Cook's Long Goodbye...


It's still hard to believe that Dick Cook is gone from the Mouse...

But his legacy will remain and his impression on the imprint of Disney will carry over for at least another couple years. There are many films in production and post-production that will be released between now and 2012 that Cook greenlit as Chairman of the studios. Some will be hits and others could be disappointments, but the final say on his effect on the company he worked at so long, has yet to be written.

I thought we'd look at several films in production that Dick Cook gave the go to:


2===== 0===== 1===== 0


Rapunzel - the Nathan Greno and Byron Howard directed, Glen Keane heavily designed CG film that has been in development almost a decade comes out during the holidays next year.

Secretariat - the Diane Lane vehicle about that famous horse, directed by Randall Wallace (who did a draft of the 20k prequel that I just happen to be trying to get a copy of).

The Sorcerer's Apprentice - the Nick Cage staring/Jon Turteltaub directed /Jerry Bruckheimer produce film from the group that brought you "National Treasure" comes this very loosely film based on the classic short from "Fantasia."

Prince of Persia: The Sands of Time - the next franchise, which insiders have labeled as "Pirates of Arabia" that the Mouse hopes to have from Bruckheimer was Cook approved a couple years ago with the hope that that would be what happens.

Alice in Wonderland - the first of two pictures with Tim Burton. This story tells how Alice finds her way back to Wonderland after confronting a real world in which the events that unfold prove to be too much for dear Alice.

Beverly Hills Chihuahua 2 - Do I really blame him for making this? Yes and No. It made a ton of money and would naturally spawn a sequel. So far Ross hasn't pulled the plug on this one.

When in Rome - the romantic comedy vehicle with Kristen Bell and Josh Duhamel that will show the world my future ex-wife is capable of opening a film. Thanks Dick.

The Last Song - the Nicholas Sparks/Miley Cyrus vehicle that also happens to star Greg Kinnear as the dad of a rebellious teen. This is Cyrus attempt to move beyond the Hannah Montana role and Cook helped her out with this project made specifically for her. Thanks Dick!


2===== 0===== 1===== 1


Winnie the Pooh - the return of the silly ole' bear that John Lasseter wanted and Cook whole heartily approved of comes to silver screens spring of 2011. There's that year again.

Pirates of the Caribbean: On Stranger Tides - the return of Jack Sparrow, which Cook announced at D23 is still on, but with Depp's schedule continually piling up with projects around the time this is supposed to start shooting you have to wonder. Any more projects announced for Johnny early next year and you can kiss the summer 2011 opening goodbye. The longer we don't here about this, the greater the chance that it'll fall apart due to the firing of Cook.

Frankenweenie - the second of the two films that Cook got Burton to agree to will be a stop motion retelling of the short, live film that Burton did years ago. Word I hear is that some of the Suits are so taken with "Alice" that they're wanting to extend the deal with a possible third film.


2===== 0===== 1===== 2


John Carter of Mars - this is Andrew Stanton's first live-action tale and his interpretation of the iconic pulp character. Cook approved this project after the prodding of Lasseter, and then looking at the the box office results of "Finding Nemo" and "Wall-E" didn't hurt either.

The Snow Queen - the new Chris Buck directed interpretation of the classic story has been in development as long as "Rapunzel." In fact, it's had some of the same people working on it. Glen Keane left this project years ago to work on "Rapunzel."

This is by no means a complete list, but a collection of several of the films that will play a role in writing the epitaph that is/will be Richard Cook's decades worth of service to Disney. There is also the possibility of films coming along based on agreements already in place (del Toro's Disney Double Dare You), sequels to past or current hits (Pirates of the Caribbean, Prince of Persia, Tron) or long gestating Disney properties (The Jungle Cruise, Swiss Family Robinson) that could be taken in to account. Clearly Dick Cook's influence will be felt long into the coming decade whether Iger likes it or not. One wonders if Ross' influence will linger as long after he's gone.

Studio executives have such a short lifespan I think we'll find out sooner, rather than later...

Perspective On Princesses & Frogs...

Are you ready...


Yes, I know this came out almost a week ago so I apologize for the tardiness, but Christmas shopping and a full schedule in the real world has prevented me from posting this...

First off, I don't call this a review. This is just my thoughts/opinions/feelings on the latest release from Walt Disney Animation Studios. I've always been uncomfortable with the idea of writing reviews and if you've noticed, I haven't written one in a good while. Just think of this as my perspective on Disney's forty-ninth animated feature with some illumination on where it's headed for the fiftieth and beyond.

I didn't get around to seeing "The Princess and the Frog" till Sunday because of the flooding that Southern California was having. My friends and I had to postpone our little get together a few days and I've been busy making sure I stuffed all those stockings and between that, work and juggling meetings and plans over my iPhone, I just didn't have time to put down on paper or computer, exactly how it was.

Now that that's out of the way let me say: "Welcome back hand-drawn animation." I missed you! And the relatives you've had around weren't exactly the best showing of your family. Let's face it, "Home on the Range" is a hayseed hick in your family and I don't really like spending much time with 'em.

I thoroughly enjoyed TPATF and it's a glimmering jewel of what can be done my the Mouse when bean counters understand they weren't hired to write, but count. Yes, I loved it but many will ask if it's as good as the films of the early nineties like "The Little Mermaid" and "Aladdin;" both of which were directed by the same people. Truthfully, no it's not. I believe that the quadrilogy of films from the late eighties to mid-nineties are superior stories. That doesn't mean that this has a horrible story, only that it doesn't hold up as well as something like "Lion King." But again, that's a tall mountain to climb. I found the first act somewhat rushed and uneven, but still entertaining. The second act was my favorite and it had a strong finish.

I do believe that the animation is second-to-none. It's truly spectacular and shows you what Disney Animation is all about. I have nothing against CG animation and think Pixar is the top of the game with theirs, but I love hand-drawn animation and this film is a testament to the love of that form. Even thought it doesn't come out in cels anymore, I love seeing the animated form that starts first with a pencil or Cintiq.

The songs in the film are also not as memorable as the earlier films; as least in terms of quantity. There are two stand outs though. The "Friends on the Other Side" and "Dig a little Deeper" had the entire audience clapping and swinging to the tune.

But the boys/girls up at the Hat Building have something to be rather proud of. And it should show everyone, including Mr. Eisner that it was a tragic mistake to throw away those drawing tables a half a decade ago. The Suits of the time thought people didn't want to see hand-drawn films. What they didn't want to see was badly told hand-drawn films. I have a feeling we won't have to worry about that for the next few years. Hopefully it'll be for a lot longer. I for one can't wait to see Disney's next hand-drawn film in Spring of 2011. From what my Bothans tell me, "Winnie the Pooh" is moving along at a shockingly fast rate. It'll likely be done well before the release date which is something that can't be said for "Rapunzel" which will be rushing to meet its deadline with six and even seven day work weeks as the film draws closer to it's release next year. Development on "Snow Queen" continues and "Joe Jump" is moving forward with each vying for a release date in 2012/2013 sometime. Then there are at least four other projects that are moving through various states of existence that will fill the rest of the Disney half of animation from the Mouse over the next five years.

After watching this latest effort I count the days until the next release. And I can't wait to own it on DVD in a few months.

Especially with that sneak peek at the girl with seventy foot long hair that will be included...

I Am Iron Man, Again...


The trailer for "Iron Man 2" has finally landed on the Net and in glorious QuickTime no doubt...

Check it out and then go online and order those tickets now. You really don't want to be the guy that has that nasty "Sold Out" sign come up in front of you as you get to the teller, do you?

Downey Jr. is the man, man...